"Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra)" by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox was released on January 1, 1999. The duration of Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) is about 3 minutes long, at 3:22. Based on our data, "Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Valiant for Truth / Symphony No. 5 / The Pilgrim Pavement / Prelude and Fugue by Ralph Vaughan Williams, Richard Hickox. The song's track number on the album is #7 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Tu mancavi a tormentarmi, crudelissima speranza (arr. L. Stokowski) | Antonio Cesti, Leopold Stokowski, Brussels Philharmonic, Richard Egarr | C Minor | 0 | 5A | 78 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Vaughan Williams: Symphony No. 1 "A Sea Symphony": III. Scherzo. The Waves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, BBC Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Berceuse (Arr. For viola and piano) | Frank Bridge, Enikő Magyar, Tadashi Imai | B♭ Major | 0 | 6B | 84 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Folk Tale | Arnold Bax, Gerald Peregrine, Antony Ingham | G Minor | 1 | 6A | 167 BPM |