"Requiem in D Minor, K. 626: VIII. Communio - Lux aeterna" by Budapest Concert Orchestra was released on January 7, 2019. With this song being about 5 minutes long, at 5:20, "Requiem in D Minor, K. 626: VIII. Communio - Lux aeterna" by Budapest Concert Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wolfgang Amedeus Mozart: Requiem in D Minor KV 626 by Budapest Concert Orchestra. The song's track number on the album is #14 out of 14 tracks. In terms of popularity, Requiem in D Minor, K. 626: VIII. Communio - Lux aeterna is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem in D Minor, K. 626: VIII. Communio - Lux aeterna by Budapest Concert Orchestra has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem in D Minor, K. 626: VIII. Communio - Lux aeterna being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | G Major | 3 | 9B | 91 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | G Minor | 0 | 6A | 91 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Dvorák: Serenade for Strings, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Hugh Wolff, Saint Paul Chamber Orchestra | A Major | 1 | 11B | 168 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Henrik Måwe | E Major | 0 | 12B | 72 BPM | ||
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb/1: III. Allegro Molto | Joseph Haydn, Lev Markiz, Moscow Chamber Orchestra, Natalia Gutman | E♭ Major | 0 | 5B | 103 BPM |