Johann Sebastian Bach, Catrin Finch made "Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 12 Canone alla Quarta" available on October 12, 2021. The duration of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 12 Canone alla Quarta is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 12 Canone alla Quarta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 374 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 12 Canone alla Quarta's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 12 Canone alla Quarta by Johann Sebastian Bach, Catrin Finch is Allegro (fast, quick, and bright), since this song has a tempo of 138 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 56 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Concerto in D Minor for Two Violins, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | E Major | 2 | 12B | 87 BPM | ||
Sonata in B Minor, K 27 | Domenico Scarlatti, Murray Perahia | D Major | 1 | 10B | 117 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A♭ Major | 0 | 4B | 84 BPM |