"Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem" by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars was released on March 1, 2005. The duration of Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "The Tallis Scholars Sing Palestrina". In this album, this song's track order is #39. Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Palestrina: Lamentations for Holy Saturday (6vv), Lesson 3 - 7. Jerusalem by Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Les Chansons des Roses: 1. En une seule fleur | Morten Lauridsen, Chamber Choir Of Europe, Nicol Matt | D♭ Major | 1 | 3B | 133 BPM | ||
Missa Prolationum: Kyrie I | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 133 BPM | ||
Angelica biltà | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 81 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Lux aeterna: III. O nata lux | Morten Lauridsen, Chamber Choir Of Europe, I Virtuosi Italiani, Nicol Matt | D Major | 0 | 10B | 130 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
O Bone Jesu | Sexteto Cantábile | E♭ Major | 2 | 5B | 136 BPM |