Thomas Morley, Amarcord made "I love, alas, I love thee" available on 2006. With I love, alas, I love thee being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #12. The popularity of I love, alas, I love thee is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With I love, alas, I love thee by Thomas Morley, Amarcord having a テンポ of 189 with a half-time of 94 テンポ and a double-time of 378 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solo e pensoso | Luca Marenzio, Huelgas Ensemble, Paul Van Nevel | E Minor | 1 | 9A | 71 BPM | ||
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM | ||
Pastyme with good companye | Henry VIII, Amarcord, Michael Metzler | D Minor | 0 | 7A | 63 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Gloria | Johannes Ciconia, Balazs Arnoth, Katalin Mozer, Schola Cantorum Budapestiensis, János Mezei | C Major | 1 | 8B | 167 BPM | ||
Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
I. - Almaine: The Choise (Holborne) | Anthony Holborne, Hespèrion XXI, Jordi Savall | D Minor | 3 | 7A | 107 BPM | ||
O Mistresse Mine (voice/lute/pandora) | Anonymous, Thomas Morley, The Musicians of Swanne Alley | A♭ Major | 0 | 4B | 109 BPM |