"Kol nidrei, Op.47 - 1995 Remastered Version" by Max Bruch, Jacqueline du Pré was released on 1995. Kol nidrei, Op.47 - 1995 Remastered Version appears to be safe for all ages as it is not explicit. The song is number 10 out of 15 in Delius Cello Concerto, etc by Jacqueline du Pré, Sir Malcolm Sargent, Royal Philharmonic Orchestra. In terms of popularity, Kol nidrei, Op.47 - 1995 Remastered Version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kol nidrei, Op.47 - 1995 Remastered Version by Max Bruch, Jacqueline du Pré is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in E Major, Op. 51: IV. Scherzo: Vivace | Max Bruch, Hungarian State Symphony Orchestra, Manfred Honeck | F Minor | 0 | 4A | 93 BPM | ||
Introduction et Polonaise brillante in C Major, Op. 3 | Frédéric Chopin, Emanuel Ax | C Major | 1 | 8B | 114 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Die Loreley, Act I: Ave Maria! | Max Bruch, Michaela Kaune, Philharmonischer Chor Prag, Munich Radio Orchestra, Stefan Blunier | F Major | 3 | 7B | 72 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Concerto for Clarinet and Viola in E Minor, Op. 88: I. Andante con moto | Max Bruch, Donatas Katkus, Guy Chadash, St. Christopher Chamber Orchestra, Arie Lipsky | E Minor | 0 | 9A | 173 BPM |