Carl Philipp Emanuel Bach, Claudio Astronio, Stefano Molardi made "Harpsichord Concerto No. 1 in F Major, Wq43/1: I. Allegro Molto" available on November 29, 2023. Since Harpsichord Concerto No. 1 in F Major, Wq43/1: I. Allegro Molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 19 in C.P.E Bach: Six Concertos Wq43 Transcribed for 2 Harpsichords by Carl Philipp Emanuel Bach, Claudio Astronio, Stefano Molardi. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Harpsichord Concerto No. 1 in F Major, Wq43/1: I. Allegro Molto's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Harpsichord Concerto No. 1 in F Major, Wq43/1: I. Allegro Molto by Carl Philipp Emanuel Bach, Claudio Astronio, Stefano Molardi is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance) | Jean Sibelius, Håvard Gimse | C Major | 2 | 8B | 91 BPM | ||
Die Nacht (Arr. for Cello and Guitar by Anja Lechner and Pablo Márquez) | Franz Schubert, Anja Lechner, Pablo Marquez | G Major | 0 | 9B | 85 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 4. Aria, "Mein Geist, voll Furcht und Freude, beben!" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | B Minor | 3 | 10A | 85 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM |