Concertgebouworkest's 'Symphony No. 29 in A Major, K. 201: II. Andante' came out on May 17, 2011. Since Symphony No. 29 in A Major, K. 201: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 56 in the song's album "The Extended Music of Amadeus". In this album, this song's track order is #22. Symphony No. 29 in A Major, K. 201: II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 29 in A Major, K. 201: II. Andante by Concertgebouworkest having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Symphony No. 93 in D Major, Hob. I:93: II. Largo cantabile | Joseph Haydn, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra | G Major | 0 | 9B | 102 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
Et exspecto resurrectionem mortuorum: I. Des profondeurs de l'abîme, je crie vers toi, Seigneur: Écoute ma voix! | Olivier Messiaen, Royal Concertgebouw Orchestra, Bernard Haitink | E Major | 0 | 12B | 97 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | E♭ Major | 1 | 5B | 99 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo (Allegro spirituoso) | Niccolò Paganini, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | D Major | 1 | 10B | 99 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 3. Moderato | Dmitri Shostakovich, Ronald Brautigam, Concertgebouworkest, Riccardo Chailly | A♭ Major | 1 | 4B | 82 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Pt. 1: II. "Imple superna gratia" - Live | Gustav Mahler, Royal Concertgebouw Orchestra, Camilla Nylund, Christine Brewer, Mihoko Fujimura, Robert Dean Smith, Stephanie Blythe, Tommi Hakala, Mariss Jansons | A♭ Major | 1 | 4B | 117 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM |