Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France's 'Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo' came out on January 1, 1985. Since Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France's "Lalo: Symphonie espagnole, Op. 21 - de Sarasate: Zigeunerweisen, Op. 20" album is number 1 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo by Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro (Live) | Dmitri Shostakovich, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | D Minor | 3 | 7A | 115 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Sonata for Violin and Continuo in G Minor, B. g5 - "Il trillo del diavolo": I. Larghetto affettuoso - Live | Giuseppe Tartini, Anne-Sophie Mutter, TrondheimSolistene | G Minor | 1 | 6A | 87 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Piano Trio in G Minor, Op. 17: I. Allegro moderato | Clara Schumann, Anne-Sophie Mutter, Pablo Ferrandez, Lambert Orkis | A Minor | 0 | 8A | 176 BPM | ||
Rachmaninov : Rhapsody on a Theme of Paganini Op.43 : II Variations 1 - 6 | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D Major | 3 | 10B | 105 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM |