Duke Ellington, Harmonie Ensemble/New York, Steven Richman made "Nutcracker Suite: Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes)" available on October 8, 2013. The duration of Nutcracker Suite: Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Nutcracker Suite: Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Tchaikovsky & Ellington: The Nutcracker Suites, Classical & Jazz". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Nutcracker Suite: Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes) is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Nutcracker Suite: Nutcracker Suite: Toot Toot Tootie Toot (Dance of the Reed-Pipes) by Duke Ellington, Harmonie Ensemble/New York, Steven Richman having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 1 | 11B | 105 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Rêverie | Claude Debussy, Alain Planès | F Major | 0 | 7B | 62 BPM |