BR549's ' "Too Lazy To Work, Too Nervous To Steal" was released on its scheduled release date, June 18, 2001. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "This Is BR-549". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Too Lazy To Work, Too Nervous To Steal's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Too Lazy To Work, Too Nervous To Steal by BR549 having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
River Of Fools | Logan Ledger | G Major | 6 | 9B | 90 BPM | ||
Pinball Song | Slobberbone | E♭ Major | 8 | 5B | 133 BPM | ||
I'm Not the Man for the Job | Chuck Mead | E Major | 8 | 12B | 125 BPM | ||
He Can Have Tomorrow (I'll Take Yesterday) | Zephaniah OHora | D Major | 3 | 10B | 102 BPM | ||
Blues About You Baby | Delbert McClinton | C Minor | 8 | 5A | 110 BPM | ||
You Never Even Call Me By My Name | Steve Goodman | C Minor | 7 | 5A | 118 BPM | ||
The Only Thing She Left Me Was the Blues | Eleven Hundred Springs | E Major | 7 | 12B | 140 BPM | ||
No Later than Soon | Jim Lauderdale | B Major | 3 | 1B | 95 BPM | ||
On a Slow Train Through Arkansas | Chuck Mead | A Major | 7 | 11B | 120 BPM | ||
Restless Heart | Bastard Sons of Johnny Cash | D♭ Minor | 5 | 12A | 146 BPM |