Rik's 'Etude in E Major, Tristesse' came out on March 1, 2016. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Romantic Period". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. The popularity of Etude in E Major, Tristesse is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etude in E Major, Tristesse by Rik having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | C Major | 1 | 8B | 77 BPM | ||
Up in the Sky (From "Cinderella") | Alma Deutscher | A Major | 0 | 11B | 71 BPM | ||
Sonata No. 13, Hob. XVI:6: Sonata No. 13, Hob. XVI:6: III. Adagio | Franz Joseph Haydn, Jean-Efflam Bavouzet | G Minor | 0 | 6A | 74 BPM | ||
Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nurnberger Symphoniker | C Major | 9 | 8B | 85 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Symphony No. 9 in E Minor, Op. 95, "From the New World": Largo | London Philharmonic Orchestra | D♭ Major | 0 | 3B | 133 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood - Arr. for Piano | Edvard Grieg, Cyprien Katsaris | E Major | 1 | 12B | 68 BPM | ||
Lieder Ohne Worte No. 6 in G Minor, Op. 19: Andante Sostenuto "Venetianisches Gondellied" | Felix Mendelssohn, Kyoko Tabe | G Major | 7 | 9B | 99 BPM |