Peter Schmalfuss's 'Waltz No.8 Op.64-3 A Flat Major' came out on July 1, 1994. The duration of Waltz No.8 Op.64-3 A Flat Major is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Waltz No.8 Op.64-3 A Flat Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in Frederic Chopin - Waltzes & Nocturnes by Peter Schmalfuss. Waltz No.8 Op.64-3 A Flat Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Waltz No.8 Op.64-3 A Flat Major by Peter Schmalfuss is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromtu, Op. 90, D. 899, No. 3 in G-Flat | Arthur Rubinstein | F♯ Major | 0 | 2B | 90 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
The Marriage Of Figaro KV.592 | Alfred Scholz, London Philharmonic Orchestra | D Major | 1 | 10B | 142 BPM | ||
Klavierkonzert Nr. 2 B-Dur op. 19 - II. Adagio | Czech Symphony Orchestra, Peter Schmalfuss, Jirí Malát | E♭ Major | 0 | 5B | 116 BPM | ||
Chopin: Etude #3 In E, Op. 10/3, "Tristesse" | London Festival Orchestra | E Major | 1 | 12B | 81 BPM | ||
Prelude No.6 B Minor Op.28-6 | Sylvia Capova, Peter Schmalfuss, Josef Bulva, Leonard Hokanson, Marian Pivka, Dieter Goldmann | G Major | 0 | 9B | 97 BPM | ||
Chopin: Nocturne #20 In C Sharp Minor, Bi 49 | London Festival Orchestra | F♯ Minor | 0 | 11A | 78 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
Satie: 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM |