"Violin Concerto No. 5 in A Major, K. 219: II. Adagio" by Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1999. Violin Concerto No. 5 in A Major, K. 219: II. Adagio appears to be safe for all ages as it is not explicit. The track order of this song in Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Violin Concerto Nos.3 K.216 & 5 K.219" album is number 5 out of 6. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto No. 5 in A Major, K. 219: II. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto No. 5 in A Major, K. 219: II. Adagio by Wolfgang Amadeus Mozart, Joseph Joachim, Ossip Schnirlin, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Cello Concerto In B Minor, Op.104, B. 191: 3. Finale (Allegro moderato) | Antonín Dvořák, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 84 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Mozart / Compl. Süßmayr: Horn Concerto No. 1 in D Major, K. 412: II. Rondo. Allegro | Wolfgang Amadeus Mozart, Claire Briggs, Royal Liverpool Philharmonic Orchestra, Malcolm Stewart, Stephen Kovacevich | F Major | 0 | 7B | 72 BPM | ||
Symphony No.2 In D, Op.36: 3. Scherzo (Allegro) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 143 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
Symphony No.8 In F, Op.93: 2. Allegretto scherzando | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 165 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM |