Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan made "26 Variations on "La Follia di Spagna" (1815): Variation 5 (Allegro)" available on January 1, 1996. With 26 Variations on "La Follia di Spagna" (1815): Variation 5 (Allegro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #14. Based on our statistics, 26 Variations on "La Follia di Spagna" (1815): Variation 5 (Allegro)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 26 Variations on "La Follia di Spagna" (1815): Variation 5 (Allegro) by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a テンポ of 158 with a half-time of 79 テンポ and a double-time of 316 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante e Rondo ungarese in C Minor, Op. 35, J. 158: Rondo. Adagio | Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 1 | 8A | 71 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Armida, Atto primo Scena 3: Che periglioso assalto! (Ubaldo, Ismene, coro) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino, Chœur De Chambre De Namur | B♭ Major | 1 | 6B | 131 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Henry Raudales, Munich Radio Orchestra | G Major | 1 | 9B | 114 BPM | ||
Missa Solemnis in D Major, Op. 123: I. Kyrie | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Major | 1 | 10B | 77 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
Tu sai, Germana amata: No. 1, Tu sai, Germana amata | Antonio Salieri, Diana Tomsche, Esther Valentin, Heidelberg Symphony Orchestra, Timo Jouko Herrmann | G Major | 1 | 9B | 114 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 2 | 10B | 109 BPM |