"Constellations, Act I Scene 6: How do I look?" by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Sarah Shafer was released on December 15, 2020. The duration of Constellations, Act I Scene 6: How do I look? is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Constellations, Act I Scene 6: How do I look?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 37 in Constellations - A Chamber Opera by Efraín Amaya, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Constellations, Act I Scene 6: How do I look? is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Constellations, Act I Scene 6: How do I look? by Efraín Amaya, Arts Crossing Chamber Orchestra, Raquel Winnica Young, Sarah Shafer is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM | ||
Symphony No. 2 in C minor - "Resurrection": 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht" | Gustav Mahler, Mira Zakai, Chicago Symphony Orchestra, Sir Georg Solti | F♯ Minor | 0 | 11A | 73 BPM | ||
In Memoriam Dylan Thomas: Do Not Go Gentle into that Good Night | Igor Stravinsky, Robert Tear, Ensemble Intercontemporain, Pierre Boulez | E Minor | 0 | 9A | 96 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
The Folly of Desire: The Sick Rose | Brad Mehldau, Ian Bostridge | F♯ Major | 1 | 2B | 135 BPM | ||
Adams: Nixon in China: Act I, Scene 3 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | D Minor | 1 | 7A | 168 BPM | ||
The High Council Meeting and Qui-Gon's Funeral | John Williams, London Symphony Orchestra | F♯ Minor | 1 | 11A | 77 BPM | ||
Delibes: Lakmé, Act I: "Dôme épais, le jasmin" (Lakmé, Mallika) | Léo Delibes, Natalie Dessay, Delphine Haidan, Michel Plasson, Orchestre Du Capitole De Toulouse | B Major | 2 | 1B | 132 BPM | ||
The Awakening | Joseph M. Martin, Concordia Sacrae, Dr. Scott Wyatt | E Major | 1 | 12B | 65 BPM |