"Seconda Lamentazione del Mercoledi Santo: Heth" by Luca Antonio Predieri, Ensemble La Flora, Alida Oliva had its release date on October 1, 2014. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "Notturni barocchi a voce sola per La Liturgia Della Settimana Santa". In this album, this song's track order is #30. Furthermore, we believe that the track originated from Italy. Seconda Lamentazione del Mercoledi Santo: Heth is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seconda Lamentazione del Mercoledi Santo: Heth by Luca Antonio Predieri, Ensemble La Flora, Alida Oliva having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fago: Tam non splendet sol creatus: II. "O nox clara?" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 1 | 11B | 96 BPM | ||
Zelenka: Laetatus sum, ZWV 90: II. Illuc enim. Allegro assai | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | D♭ Major | 5 | 3B | 110 BPM | ||
Magnificat in B flat major: Et misericordia | Francesco Durante, Bernhard Landauer, Thomas Hengelbrock | F♯ Minor | 0 | 11A | 78 BPM | ||
Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 4 | 10B | 138 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM | ||
Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Minor | 1 | 9A | 103 BPM | ||
Les Amants magnifiques: Entrée d'Apollon | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 1 | 12A | 132 BPM | ||
Dido and Aeneas / Act 1: "Whence could so much virtue spring?...Fear no danger" | Henry Purcell, Jessye Norman, Marie McLaughlin, Elizabeth Gale, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 79 BPM | ||
Fago: Tam non splendet sol creatus: I. "Tam non splendet sol creatus" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 120 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM |