"Pelléas et Mélisande, L. 88 (Live), Act I: Act I Scene 1: Qu'est-ce qui brille ainsi, au fond de l'eau? (Golaud, Melisande)" by Claude Debussy, Orchestra Sinfonica Nazionale della RAI di Roma, Michel Roux, Elisabeth Schwarzkopf, Herbert von Karajan was released on August 1, 2014. Since Pelléas et Mélisande, L. 88 (Live), Act I: Act I Scene 1: Qu'est-ce qui brille ainsi, au fond de l'eau? (Golaud, Melisande) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 43 in Debussy: Pelléas et Mélisande (Pelléas and Mélisande), L. 88 [Live] by Claude Debussy, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pelléas et Mélisande, L. 88 (Live), Act I: Act I Scene 1: Qu'est-ce qui brille ainsi, au fond de l'eau? (Golaud, Melisande) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pelléas et Mélisande, L. 88 (Live), Act I: Act I Scene 1: Qu'est-ce qui brille ainsi, au fond de l'eau? (Golaud, Melisande) by Claude Debussy, Orchestra Sinfonica Nazionale della RAI di Roma, Michel Roux, Elisabeth Schwarzkopf, Herbert von Karajan is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Liebestraum (Love Dream) | Franz Liszt, Michael Krücker | A♭ Major | 1 | 4B | 70 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
None but the lonely heart, Op. 6, No. 6 | Pyotr Ilyich Tchaikovsky, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | E♭ Minor | 2 | 2A | 82 BPM | ||
Tune from the Film by Lana Gogoberidze: When Almonds Blossomed | Giya Kancheli, Khatia Buniatishvili | D Minor | 0 | 7A | 65 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM |