Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 10.7 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 10.7 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Kapitel 10.7 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #28 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 10.7 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 10.7 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 10.7 - Wie Google tickt - How Google Works being at 127 テンポ, the half-time would be 64 テンポ with a double-time of 254 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
Mass in D Major, Op. 86, B. 153: II. Gloria | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 81 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
Liederkreis, Op. 39: In der Fremde | Robert Schumann, Jessye Norman, Irwin Gage | C Major | 9 | 8B | 136 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
La bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 83 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 89 BPM | ||
Virgo Virginum | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | E Minor | 3 | 9A | 93 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM |