"Since it was the Day of Preparation, Part I: The Pierced Christ" by James MacMillan, Hebrides Ensemble was released on June 24, 2016. The duration of Since it was the Day of Preparation, Part I: The Pierced Christ is about 3 minutes long, at 3:20. Based on our data, "Since it was the Day of Preparation, Part I: The Pierced Christ" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in James MacMillan, Brindley Sherratt, Synergy Vocals, Hebrides Ensemble's "James MacMillan: Since it was the day of Preparation" album is number 2 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Since it was the Day of Preparation, Part I: The Pierced Christ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Since it was the Day of Preparation, Part I: The Pierced Christ by James MacMillan, Hebrides Ensemble to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Songs of Love: II. Until the Daybreak | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A♭ Major | 0 | 4B | 137 BPM | ||
Sunrise Mass: Kyrie "The Spheres" | Ola Gjeilo, Westminster Williamson Voices, James Jordan | D♭ Minor | 0 | 12A | 82 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Listen sweet Dove | Grayston Ives, The Choir of Magdalen College, Oxford, Bill Ives, Jonathan Hardy | E♭ Major | 1 | 5B | 72 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
We Shall Walk Through the Valley in Peace | The National Lutheran Choir | E♭ Major | 0 | 5B | 129 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Four Songs of Love: IV. His Left Hand | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A Minor | 0 | 8A | 69 BPM |