"Peace Blessing (Birkat Shalom) Improv. No. 172" by Ora Bat Chaim, Giora Feidman, Raul Jaurena, Aquiles Baez, Ken Filiano was released on January 1, 2004. The duration of Peace Blessing (Birkat Shalom) Improv. No. 172 is about 3 minutes long, at 3:13. Based on our data, "Peace Blessing (Birkat Shalom) Improv. No. 172" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 18 in Feidman by Ora Bat Chaim, Giora Feidman. Based on our statistics, Peace Blessing (Birkat Shalom) Improv. No. 172's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peace Blessing (Birkat Shalom) Improv. No. 172 by Ora Bat Chaim, Giora Feidman, Raul Jaurena, Aquiles Baez, Ken Filiano is Allegro (fast, quick, and bright), since this song has a tempo of 142 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wanderin' G | Billy Thompson, Peter Lemer | G Major | 2 | 9B | 122 BPM | ||
Skilful Solos | Philip Sparke, Melanie Henry, David Knotts | B♭ Major | 1 | 6B | 138 BPM | ||
1.Romántico (3 Valses Líricos) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Tema variato - Variazione I - Variazione II - Variazione III - Finale - Allegro | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | G Major | 1 | 9B | 79 BPM | ||
Lamento de Boabdil | Gaspar Cassadó, Dmitry Yablonsky, Laia Martín | B♭ Major | 0 | 6B | 88 BPM | ||
Jazz medley for solo cello - 1: Allegro a la Grappelli | Juan Sebastian Delgado | G Major | 2 | 9B | 119 BPM | ||
Hino 61 a Minha Alma Deseja Ver Te - Acoustic | Claronando baixinho | E♭ Major | 0 | 5B | 80 BPM | ||
Myjavský tanec | Cimbálová muzika ZUŠ Smetanova Brno | D Minor | 4 | 7A | 171 BPM | ||
21 Hungarian Dances, Book No. 4 in D Major, WoO1: 3. Molto vivace | Johannes Brahms, Luciano Tarantino, Paolo Scafarella | D Major | 3 | 10B | 110 BPM | ||
100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: Langeleik Tune | Geirr Tveitt, Iceland Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 168 BPM |