"Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn" by George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists was released on February 19, 2021. With this song being about 5 minutes long, at 5:00, "Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn" by George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 13 in Baroque Arias for Horn (Beyond Words) by Felix Klieser, CHAARTS Chamber Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn by George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
Concerto grosso No. 3 in G Major, Op. 3, HWV 314: III. Adagio | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | E Major | 0 | 12B | 99 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM | ||
Fantasia No. 3 in D Minor, K. 397 | Wolfgang Amadeus Mozart, Hélène Grimaud | D Major | 1 | 10B | 85 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |