"Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo" by Felix Mendelssohn, Philippe Cassard was released on September 22, 2017. The duration of Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Philippe Cassard's "Mendelssohn" album is number 13 out of 16. On top of that, France appears to be the country where this track was created. Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo by Felix Mendelssohn, Philippe Cassard to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Songs, Op. 48: No. 1. Der Engel (The Angel) (arr. J. Lloyd Webber for 2 cellos and piano) | Anton Rubinstein, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | D Major | 1 | 10B | 79 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 0 | 12B | 79 BPM | ||
Cello Sonata: II. — | Tamara Konstantin, Jiaxin Lloyd Webber | G Minor | 1 | 6A | 74 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |