"(A) Alleluia. Justus germinabit (B) Communions. Dicit Dominus. passer invenit" by Gregorian Chant, The Choir of the Carmelite Priory London, John McCarthy was released on January 1, 1961. Since (A) Alleluia. Justus germinabit (B) Communions. Dicit Dominus. passer invenit is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The World of Gregorian Chant". In this album, this song's track order is #7. (A) Alleluia. Justus germinabit (B) Communions. Dicit Dominus. passer invenit is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With (A) Alleluia. Justus germinabit (B) Communions. Dicit Dominus. passer invenit by Gregorian Chant, The Choir of the Carmelite Priory London, John McCarthy having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Primo Temporare | Lucien Deiss, CSSp | C Major | 0 | 8B | 207 BPM | ||
Cummune Unius Martyr | Pro Cantione Antiqua, Mark Brown | F Minor | 1 | 4A | 75 BPM | ||
Ad Benedictus Sanctissime | Monks Of The Abbey Of Notre Dame | D♭ Minor | 1 | 12A | 127 BPM | ||
Salve Sancta Parens | Benedettini Abbazia di San Paolo fuori le mura | C Major | 0 | 8B | 75 BPM | ||
Regina Cæli (feat. Christopher Dalitz) | The Schola Cantorum of St. John XXIII Parish, Christopher Dalitz | E♭ Major | 1 | 5B | 86 BPM | ||
Introitus | Chants From the Holyland- Graz Gregorian Chants School of Austri | A Minor | 1 | 8A | 126 BPM | ||
Communion: Lux Aeterna | Cantores 'Regina Caeli' | F Major | 0 | 7B | 141 BPM | ||
Victimae Pascali Laudes: Sequence for Easter Octave | Gregorian Chant Schola of Saint Meinrad Archabbey | D Minor | 0 | 7A | 79 BPM | ||
Salve Virilis Pectoris | Benedictine Monks of St. Wandrillede Fontonelle | B♭ Minor | 2 | 3A | 92 BPM | ||
Messe de la toussaint : Credo vi | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | E Major | 0 | 12B | 78 BPM |