Georg Schumann, Mary Nelson, Mark Ford's '4 Lieder, Op. 10: No. 2, Schlehenblüth' und wilde Rose' came out on January 5, 2018. With 4 Lieder, Op. 10: No. 2, Schlehenblüth' und wilde Rose being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Schumann, Mark Ford, Mary Nelson's "Georg Schumann: Lieder" album is number 2 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 4 Lieder, Op. 10: No. 2, Schlehenblüth' und wilde Rose is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Lieder, Op. 10: No. 2, Schlehenblüth' und wilde Rose by Georg Schumann, Mary Nelson, Mark Ford to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dhabitude | Fanny Hearst | G Major | 1 | 9B | 70 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Trio for Piano, Oboe & Bassoon, FP 43: III. Rondo | Francis Poulenc, Mark Bebbington, Jonathan Davies, John Roberts, Jan Latham-Koenig, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 81 BPM | ||
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
12 Album Leaves, Op. 51: No. 4 in F Minor. Andante con moto | Reinhold Glière, Maja Bogdanovic, Maria Belooussova | B Minor | 2 | 10A | 98 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM |