Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works

Eric Schmidt, Jonathan Rosenberg
Wie Google tickt - How Google Works
3:20 2015年1月8日
テンポ
95
キー
B Minor
キャメロットミュージックキー
10A

リンクを埋め込む

共有

Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works - Eric Schmidt, Jonathan Rosenberg 情報

音響性
48%
ダンサビリティ
71%
エネルギー
33%
手段性
0%
活気
34%
ラウドネス
70%
話し言葉
95%
価数
42%
人気
ラウドネス
-18.248 dB

まとめ

Eric Schmidt, Jonathan Rosenberg made "Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:20. Based on our data, "Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #43 out of 137 tracks. In terms of popularity, Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works テンポ

Since Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.

Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works キー

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana by Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-WilliamsThe Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima ChristianaEdward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-WilliamsD Major010B85 BPM
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim Schlafengehen by Richard Strauss, Asmik Grigorian, Markus HinterhäuserFour Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim SchlafengehenRichard Strauss, Asmik Grigorian, Markus HinterhäuserD Major110B90 BPM
Requiem, Op. 9: I. Introit by Maurice Duruflé, Robert Shaw, Atlanta Symphony OrchestraRequiem, Op. 9: I. IntroitMaurice Duruflé, Robert Shaw, Atlanta Symphony OrchestraE♭ Major25B122 BPM
Arpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. Adagio by Franz Schubert, Krzysztof Kaczka, Metropolitan Opera OrchestraArpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. AdagioFranz Schubert, Krzysztof Kaczka, Metropolitan Opera OrchestraE Major112B105 BPM
Misatango, Misa a Buenos Aires: III. Gloria by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: III. GloriaMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraC Minor35A82 BPM
Miserere, ZWV 57: V. Sicut erat et Miserere III by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: V. Sicut erat et Miserere IIIJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánF♯ Minor311A77 BPM
Sept chansons - La Blanche Neige by Laurence Equilbey, Accentus, Francis PoulencSept chansons - La Blanche NeigeLaurence Equilbey, Accentus, Francis PoulencD Minor17A78 BPM
A Symphonic Mass for Chorus & Orchestra: I. Kyrie by George Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo HeltayA Symphonic Mass for Chorus & Orchestra: I. KyrieGeorge Lloyd, Bournemouth Symphony Orchestra, Brighton Festival Chorus, Lazlo HeltayE♭ Minor22A123 BPM
Requiem, Op. 48: V. Agnus Dei by Gabriel Fauré, Robert Shaw, Atlanta Symphony OrchestraRequiem, Op. 48: V. Agnus DeiGabriel Fauré, Robert Shaw, Atlanta Symphony OrchestraF Major07B64 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerPelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderatoCharles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz HolligerE Major112B94 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records