"Fantasia for Piano, Chorus and Orchestra in C minor, Op. 80: Adagio ma non troppo - Live From Schauspielhaus, Berlin / 1991" by Ludwig van Beethoven, Evgeny Kissin, Cheryl Studer, Kristina Clemenz, Camille Capasso, John Aler, Hiroshi Oshima, Friedrich Molsberger, Berliner Philharmoniker, Claudio Abbado, RIAS Kammerchor was released on January 1, 1992. The duration of Fantasia for Piano, Chorus and Orchestra in C minor, Op. 80: Adagio ma non troppo - Live From Schauspielhaus, Berlin / 1991 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Fantasia for Piano, Chorus and Orchestra in C minor, Op. 80: Adagio ma non troppo - Live From Schauspielhaus, Berlin / 1991's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Beethoven In Berlin: The New Year's Eve Concert 1991 (Live) by Ludwig van Beethoven, Cheryl Studer, Evgeny Kissin, Bruno Ganz, Berliner Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Fantasia for Piano, Chorus and Orchestra in C minor, Op. 80: Adagio ma non troppo - Live From Schauspielhaus, Berlin / 1991 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantasia for Piano, Chorus and Orchestra in C minor, Op. 80: Adagio ma non troppo - Live From Schauspielhaus, Berlin / 1991 by Ludwig van Beethoven, Evgeny Kissin, Cheryl Studer, Kristina Clemenz, Camille Capasso, John Aler, Hiroshi Oshima, Friedrich Molsberger, Berliner Philharmoniker, Claudio Abbado, RIAS Kammerchor is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Tzigane, M.76 | Maurice Ravel, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 3 | 10B | 111 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM | ||
Arabeske in C Major, Op. 18 | Robert Schumann, Evgeny Kissin | F♯ Major | 1 | 2B | 70 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo - Quasi moderato | Antonín Dvořák, Anne-Sophie Mutter, Berliner Philharmoniker, Manfred Honeck | B♭ Major | 3 | 6B | 96 BPM | ||
Piano Concerto No. 2 in B-Flat Major, Op. 83: 2. Allegro appassionato - Live | Johannes Brahms, Maurizio Pollini, Berliner Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 138 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
L'Arlésienne Suite No.2: 4. Farandole | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | D Major | 5 | 10B | 86 BPM | ||
Concerto for Violin and Orchestra in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Lisa Batiashvili, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 61 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM |