"12 Canzonets, Hob.XXVIa:31: No. 7, A Sailor's Song" by Joseph Haydn, Catherine Bott, Melvyn Tan was released on 2002. The duration of 12 Canzonets, Hob.XXVIa:31: No. 7, A Sailor's Song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 12 Canzonets, Hob.XXVIa:31: No. 7, A Sailor's Song's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Various Artists's "Haydn - Ariannaa a Naxos / Scots Songs / English Canzonettas" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 12 Canzonets, Hob.XXVIa:31: No. 7, A Sailor's Song is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Canzonets, Hob.XXVIa:31: No. 7, A Sailor's Song by Joseph Haydn, Catherine Bott, Melvyn Tan to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Haydn: Piano Trio in G Major, Hob. XV:25: III. Rondo all'ongarese. Presto (Arr. Metzdorff for Piano 4-Hands) | Joseph Haydn, Alexandre Tharaud, Momo Kodama | A♭ Major | 1 | 4B | 109 BPM | ||
Violin Concerto in D Minor, MWV O3: III. Allegro | Felix Mendelssohn, Tianwa Yang, Sinfonia Finlandia Jyvaskyla, Patrick Gallois | D Minor | 2 | 7A | 161 BPM | ||
Oboe Concerto No. 1 in D Minor: II. Grazioso | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | C Major | 0 | 8B | 65 BPM | ||
Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 128 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM |