Robert Schumann, Evelyne Dubourg's 'Kinderscenen, Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People)' came out on January 1, 1996. With Kinderscenen, Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 17 in Classic Masterworks - Robert Schumann by Robert Schumann, Various Artists, Sir Neville Marriner, Hartwig Eschenburg, Martin Flämig, Jörg Peter Weigle. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Kinderscenen, Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kinderscenen, Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) by Robert Schumann, Evelyne Dubourg is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Suite from "The Gadfly", Op. 97a: VIII. Romance | Ivan Peev, Sofia Symphony Orchestra | D♭ Major | 1 | 3B | 106 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | G Minor | 0 | 6A | 91 BPM | ||
Tritsch-Tratsch Polka Op. 214 | Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM | ||
Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 4, Mein schöner Stern! (Langsam) | Friedrich Rückert, Robert Schumann, Nicolai Gedda | E♭ Major | 1 | 5B | 167 BPM | ||
Klavierkonzert Nr. 20 D-Moll KV 466 - II. Romance | Mozart Festival Orchester, Svetlana Stanceva, Marco Bertone | B♭ Major | 1 | 6B | 86 BPM | ||
Debussy: Arabesque No. 1 | Daniel Pollack | E Major | 1 | 12B | 72 BPM | ||
Piano Sonata No. 17 in D Minor, Op. 31/2 "Tempest": III. Allegretto | Sylvia Capova | G Minor | 2 | 6A | 82 BPM |