闇の現 is a track by 石塚 玲依 from 『しゃばけ』オリジナル・サウンドトラック上巻, released February 25, 2026. It runs 2:03 at N/A テンポ (N/A テンポ double-time) in N/A (Camelot N/A).
Find the テンポ and music key for any song with our テンポ and キー Finder.
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell Me Now | Blu Noize | F♯ Major | 1 | 2B | 73 BPM | ||
| The Worn Piano | Sofia Petrova | G Major | 1 | 9B | 70 BPM | ||
| Your Childhood | Blu Noize | F♯ Major | 1 | 2B | 73 BPM | ||
| Solace in Silence | 遠藤浩二 | D♭ Major | 0 | 3B | 170 BPM | ||
| Still City | 江﨑文武 | E Minor | 2 | 9A | 139 BPM | ||
| Favilla | Yvonne Dubois | D Major | 0 | 10B | 175 BPM | ||
| Cull | 石塚 玲依 | D Major | 0 | 10B | 175 BPM | ||
| やさしい雪 | キュス | G Major | 1 | 9B | 144 BPM | ||
| Baroque Andante (After Handel's Suite in D Minor-Presto, G.117) | Clara Ponty | D Major | 0 | 10B | 175 BPM | ||
| Springtime Joy | Serene Station | D Major | 0 | 10B | 175 BPM | ||
| Mother's Broom | Vangakuz | D Major | 1 | 10B | 80 BPM | ||
| But Then We Had To Leave | Richard Laurence | D Major | 0 | 10B | 175 BPM | ||
| ワルツ | Mine Kawakami | E Major | 0 | 12B | 75 BPM | ||
| ペールギュント 作品46-1 『朝』 - ピアノ編曲版 | NAIX | D♭ Major | 1 | 3B | 110 BPM | ||
| Call | 石塚 玲依 | D Major | 0 | 10B | 175 BPM | ||
| 巴哈: 醒來吧! 有守望者向我們高呼, 作品BWV 140, 第四樂章: 錫安聽見守望者的歌唱 (爵士鋼琴) | 孫穎 (SunYing) | G Major | 1 | 9B | 132 BPM | ||
| Ask me why 「君たちはどう生きるか」より | 戸田有里子 | G Major | 1 | 9B | 65 BPM | ||
| 帰途 | Taisei Iwasaki | B Major | 0 | 1B | 132 BPM | ||
| Lavender | Minaco | G Major | 2 | 9B | 136 BPM | ||
| 鳥のように歌って | Yuusuke | D Major | 0 | 10B | 175 BPM | ||
| Moonshadows, Pt. 1: Episode 3 | Tomasz Trzcinski | B♭ Minor | 1 | 3A | 134 BPM | ||
| Abyssal Rivers, Lasting Star Trails | Animuz Anime Piano | A♭ Major | 2 | 4B | 140 BPM | ||
| ハレナハレ | Shinya Kiyozuka, NAOTO | C Major | 3 | 8B | 98 BPM | ||
| Ima of Inanna (Solfeggio 528) | Shintaro Aoki | D Minor | 1 | 7A | 166 BPM | ||
| 届かない気持ち | 天門 | A♭ Major | 0 | 4B | 170 BPM |