"La Bohème, SC 67, Act III: Speravo di trovarvi qui" by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel was released on March 1, 1991. The duration of La Bohème, SC 67, Act III: Speravo di trovarvi qui is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. La Bohème, SC 67, Act III: Speravo di trovarvi qui's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Pops Plays Puccini". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. La Bohème, SC 67, Act III: Speravo di trovarvi qui is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème, SC 67, Act III: Speravo di trovarvi qui by Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petits rêves d’enfant: No. 2, Andantino grazioso | Théodore Dubois, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Fanfare and Theme for Symphonic Orchestra | Rafael Krux | B♭ Major | 1 | 6B | 89 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Dorilla in tempe, RV 709: Sinfonia al ballo | Antonio Vivaldi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Minor | 3 | 5A | 79 BPM |