"Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"" by Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker was released on January 1, 1988. Since Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" by Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Ballet Suite, Op. 64a, No. 2: II. Juliet - The Little Girl | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | B♭ Major | 1 | 6B | 81 BPM | ||
Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Nacht | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | E Major | 1 | 12B | 78 BPM | ||
Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
String Quartet No. 2 'Intimate Pages': String Quartet No. 2 'Intimate Pages': II. Adagio. Vivace | Leoš Janáček, Jerusalem Quartet | D♭ Major | 2 | 3B | 89 BPM | ||
Concerto grosso no.1 (1976-77): 2. Toccata: Allegro | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | D Major | 5 | 10B | 134 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
String Quartet No. 2 in F Major, Op. 22, TH 122: II. Scherzo. Allegro giusto | Pyotr Ilyich Tchaikovsky, Ying Quartet | E♭ Minor | 0 | 2A | 173 BPM | ||
Herzgewächse, Op. 20 | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D Major | 0 | 10B | 91 BPM |