Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot"

Sara Ramirez
Monty Python's Spamalot
2:32 2005年1月1日
テンポ
94
キー
B Minor
キャメロットミュージックキー
10A

リンクを埋め込む

共有

Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot" - Sara Ramirez 情報

音響性
78%
ダンサビリティ
40%
エネルギー
64%
手段性
0%
活気
12%
ラウドネス
92%
話し言葉
5%
価数
31%
人気
ラウドネス
-4.521 dB

まとめ

Sara Ramirez's 'Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot"' had a release date set for January 1, 2005. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Monty Python's Spamalot" album is number 19 out of 25. On top of that, United States appears to be the country where this track was created. In terms of popularity, Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot" テンポ

We consider the tempo marking of Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot" by Sara Ramirez to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Diva's Lament (What Ever Happened To My Part?) - Original Broadway Cast Recording: "Spamalot" キー

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Opening Up by Jessie Mueller, Keala Settle, Kimiko Glenn, Eric Anderson, Waitress Original Broadway Cast EnsembleOpening UpJessie Mueller, Keala Settle, Kimiko Glenn, Eric Anderson, Waitress Original Broadway Cast EnsembleD Major710B161 BPM
What Do I Need with Love by Gavin CreelWhat Do I Need with LoveGavin CreelG Minor36A95 BPM
Make Them Hear You by Brian Stokes Mitchell, Duane Martin Foster, Original Broadway Cast of Ragtime: The MusicalMake Them Hear YouBrian Stokes Mitchell, Duane Martin Foster, Original Broadway Cast of Ragtime: The MusicalE Major412B88 BPM
Seven Wonders by Aaron Tveit, Kerry ButlerSeven WondersAaron Tveit, Kerry ButlerC Major48B74 BPM
It's a Privilege to Pee by Nancy Opel, Urinetown EnsembleIt's a Privilege to PeeNancy Opel, Urinetown EnsembleC Minor35A131 BPM
One Small Girl by Philip Boykin, Kenita R. Miller, Emerson Davis, Once On This Island StorytellersOne Small GirlPhilip Boykin, Kenita R. Miller, Emerson Davis, Once On This Island StorytellersC Minor55A138 BPM
Goodbye by Aaron TveitGoodbyeAaron TveitA♭ Major64B148 BPM
You and Me (But Mostly Me) by Josh Gad, Andrew RannellsYou and Me (But Mostly Me)Josh Gad, Andrew RannellsC Major58B75 BPM
Moving Too Fast by Jeremy JordanMoving Too FastJeremy JordanF Major77B106 BPM
My Petersburg by Derek KlenaMy PetersburgDerek KlenaA Major411B134 BPM
ISRC
USUMC0500056
レコードレーベル
L-M Records/RCA Records