Robert Craft, Carlo Gesualdo's 'Psalmi Delle Compiete' came out on July 14, 2023. The duration of Psalmi Delle Compiete is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Psalmi Delle Compiete's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 22 in Felicissimo Sonno by Robert Craft, Carlo Gesualdo. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. The popularity of Psalmi Delle Compiete is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Psalmi Delle Compiete by Robert Craft, Carlo Gesualdo is Vivace (lively and fast), since this song has a tempo of 172 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, London Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 0 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
Symphony No.1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | G Major | 1 | 9B | 76 BPM | ||
Pulcinella: XIII. Allegro moderato: Tarantella | Igor Stravinsky, Diana Montague, Robin Leggate, Mark Beesley, Philharmonia Orchestra, Robert Craft | B♭ Major | 3 | 6B | 114 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Più mosso - Vivo - She Resists No Longer - They Embrace. | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 77 BPM | ||
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM |