"DAVID: 1. The Battle to Come, 2. Psalm 30 v5" by Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy was released on January 1, 1997. The duration of DAVID: 1. The Battle to Come, 2. Psalm 30 v5 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. DAVID: 1. The Battle to Come, 2. Psalm 30 v5's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "STORMWORKS Chapter 3: Wait of the World". In this album, this song's track order is #5. DAVID: 1. The Battle to Come, 2. Psalm 30 v5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With DAVID: 1. The Battle to Come, 2. Psalm 30 v5 by Stephen Melillo, Stephen Melillo/Marine Band of the Royal Netherlands Navy having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satiric Dances | United States Coast Guard Band | C Major | 3 | 8B | 75 BPM | ||
Canzona | Peter Mennin, United States Air Force Band, Lowell Graham | B♭ Major | 3 | 6B | 132 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Children's March, "Over the Hills and Far Away" | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 1 | 6B | 120 BPM | ||
THREE MUSICAL HAIKUS: #16: The Truth About Pirates | Stephen Melillo, Stephen Melillo/Rundfunk Blasorchester Leipzig | E♭ Major | 1 | 5B | 123 BPM | ||
Southern Harmony: I. The Midnight Cry | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 2 | 4B | 66 BPM | ||
Be Thou My Vision | David R. Gillingham, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 90 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 92 BPM | ||
Suite from 'Hymn of the Highlands': III. Dundonnell | Koninklijke Biltse Harmonie | F♯ Major | 2 | 2B | 105 BPM | ||
Chorale and Shaker Dance | John P. Zdechlik, Concordia University Chicago Wind Symphony, Richard Fischer | G Major | 2 | 9B | 78 BPM |