"Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt" by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano was released on May 20, 1997. With this song being about 5 minutes long, at 4:33, "Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt" by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt's "Liszt: Sacred Choral Music" album is number 18 out of 19. Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book V, Op. 54: No. 5 Scherzo | Edvard Grieg, Emil Gilels | E Minor | 0 | 9A | 66 BPM | ||
Membra Jesu nostri, BuxWV 75: Vb. Ad pectus: Salve, salus mea, Deus | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Hungarian Rhapsody No.12 In C Sharp Minor, S.244 | Franz Liszt, Evgeny Kissin | D♭ Major | 2 | 3B | 91 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Mass in F Major: Benedictus | Roman Hoffstetter, Nando Zickgraf, Marcel Klein, Dorothea Rieger, Kathrin Hildebrandt, Victor Alonso, Jorg Golombek, Ulrich Rausch, Freiburg Philharmonic Orchestra, Freiburg Cathedral Boy's Choir, Christian Micsunescu, Raimund Hug | D Major | 1 | 10B | 123 BPM | ||
Die Mutter, Op. 25: VII. Lob eines Revolutionärs | Hanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir | F Minor | 1 | 4A | 125 BPM | ||
Die Mutter, Op. 25: VI. Lob des Lernens | Hanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir | A Minor | 1 | 8A | 90 BPM | ||
Hungarian Dance No.10 In F | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | B♭ Minor | 3 | 3A | 77 BPM |