Jan Dismas Zelenka, Ensemble Berlin Prag, Dominik Wollenweber, Vilem Veverka, Mor Biron, Barbara Maria Willi, Ulrich Wolff made "6 Trio Sonatas, ZWV 181, No. 2 in G Minor: II. Allegro" available on January 19, 2018. Since 6 Trio Sonatas, ZWV 181, No. 2 in G Minor: II. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zelenka: Trio Sonatas ZWV 181 by Jan Dismas Zelenka, Dominik Wollenweber, Vilem Veverka, Mor Biron, Ensemble Berlin Prag. The song's track number on the album is #6 out of 23 tracks. Based on our data, Czechia was the country where this track was produced or recorded. In terms of popularity, 6 Trio Sonatas, ZWV 181, No. 2 in G Minor: II. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since 6 Trio Sonatas, ZWV 181, No. 2 in G Minor: II. Allegro by Jan Dismas Zelenka, Ensemble Berlin Prag, Dominik Wollenweber, Vilem Veverka, Mor Biron, Barbara Maria Willi, Ulrich Wolff has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 6 Trio Sonatas, ZWV 181, No. 2 in G Minor: II. Allegro being at 108 テンポ, the half-time would be 54 テンポ with a double-time of 216 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Major | 3 | 1B | 58 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Monika Frimmer, Peter Kooij, Paul Dombrecht | B Major | 1 | 1B | 79 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM |