Iannis Xenakis, Kroumata Percussion Ensemble, Anders Loguin's 'Pléïades: IV. Peaux' came out on December 31, 1990. Pléïades: IV. Peaux appears to be safe for all ages as it is not explicit. This song is part of Xenakis: Pleiades / Psappha by Iannis Xenakis, Gert Mortensen, Kroumata Percussion Ensemble, Anders Loguin. The song's track number on the album is #4 out of 5 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Pléïades: IV. Peaux is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Pléïades: IV. Peaux by Iannis Xenakis, Kroumata Percussion Ensemble, Anders Loguin has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Pléïades: IV. Peaux being at 111 テンポ, the half-time would be 56 テンポ with a double-time of 222 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
7 Papillons: No. 3. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 103 BPM | ||
Laughter Echoes Darkly | Sinister Sounds | F Major | 1 | 7B | 64 BPM | ||
Online with Ruslan | Isobell Makkar | B♭ Minor | 0 | 3A | 69 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Unison # 1 | Johan Lindvall, Vilde Sandve Alnæs, Kristine Tjøgersen, Jan Martin Gismervik, Henrik Munkeby Nørstebø, Ina Sagstuen, Fredrik Rasten | A Major | 0 | 11B | 68 BPM | ||
Wire Recorder Piece | Halim El-Dabh | B♭ Minor | 4 | 3A | 126 BPM | ||
Spring | YAKSHA MUSIK | D♭ Major | 2 | 3B | 117 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM |