"Harmonies poétiques et religieuses, S. 173: No. 7, Funérailles - Radio Edit" by Franz Liszt, Emmanuel Despax was released on April 23, 2024. With this song being about 5 minutes long, at 5:26, "Harmonies poétiques et religieuses, S. 173: No. 7, Funérailles - Radio Edit" by Franz Liszt, Emmanuel Despax is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Harmonies poétiques et religieuses, S. 173: No. 7, Funérailles (Radio Edit) and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Harmonies poétiques et religieuses, S. 173: No. 7, Funérailles - Radio Edit is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Harmonies poétiques et religieuses, S. 173: No. 7, Funérailles - Radio Edit by Franz Liszt, Emmanuel Despax to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Pops Blondlela | AlyMusicGroup | D Minor | 2 | 7A | 89 BPM | ||
5 Piano Pieces Op. 3, TrV 105: No. 5, Allegro marcatissimo | Richard Strauss, Guillaume Bellom | G Minor | 0 | 6A | 68 BPM | ||
Marchita el alma - Fantasía sobre una melodía atribuida a Antonio Zúñiga | Sergio Cardenas, Argentina Durán | G Major | 3 | 9B | 94 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
12 Études, Op. 10: No. 2 in A Minor "Chromatique" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
String Quartet No. 1 in D Major, Op. 11: III. Scherzo. Allegro ma non tanto e con fuoco - Trio | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM | ||
4 Nocturnes: No. 3, Moderato | Alexandre Tansman, Christina Petrowska-Quilico | D♭ Minor | 0 | 12A | 132 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM |