"Love came down at Christmas (Arr. Stephen Cleobury)" by RO Morris, Stephen Cleobury, Henry Websdale, Choir of King's College, Cambridge was released on November 9, 2018. With Love came down at Christmas (Arr. Stephen Cleobury) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 100 Years of Nine Lessons & Carols, so we believe that "Love came down at Christmas (Arr. Stephen Cleobury)" is a single. Love came down at Christmas (Arr. Stephen Cleobury) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Love came down at Christmas (Arr. Stephen Cleobury) by RO Morris, Stephen Cleobury, Henry Websdale, Choir of King's College, Cambridge is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
And With His Stripes We Are Healed | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | C Major | 1 | 8B | 77 BPM | ||
Gesù bambino | The Cathedral Singers | A Major | 3 | 11B | 167 BPM | ||
The Little Road To Bethlehem | Michael Head, Tewkesbury Abbey Choir, Andrew Sackett | A♭ Major | 1 | 4B | 82 BPM | ||
Messiah, HWV 56 / Pt. 3: The Trumpet Shall Sound | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Ulkrik Cold | D Major | 2 | 10B | 116 BPM | ||
O, Christmas Tree (O Tannenbaum) | The Oxford Trinity Choir | G Major | 4 | 9B | 78 BPM | ||
O Come, All Ye Faithful | John Wade, The Choir Of Trinity College, Cambridge, Richard Marlow | G Major | 1 | 9B | 75 BPM | ||
Away in a Manger (arr. B. Chilcott for choir) | William J. Kirkpatrick, Bob Chilcott, Elora Festival Singers, Noel Edison | G Major | 0 | 9B | 74 BPM | ||
Traditional: "A spotless rose" | Traditional, Choir of King's College, Cambridge, Philip Ledger | B Minor | 1 | 10A | 82 BPM | ||
O Viens Emmanuel ( O Come Emmanuel) | English Traditional Folk Song, John Mason Neale, Frere Pierre-Yves, The Canadian Tenors | A Minor | 2 | 8A | 110 BPM | ||
Resonet in Laudibus / The Virgin's Slumber Song (From "Schlichte Weisen, Op. 76") | The Cathedral Singers | F Major | 2 | 7B | 135 BPM |