"Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug"" by Alban Berg, Hildegard Behrens, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. The duration of Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug" is about 3 minutes long, at 3:05. Based on our data, "Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. In terms of popularity, Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act 3: Scene 1: Marie's Room. "Und ist kein Betrug" by Alban Berg, Hildegard Behrens, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Unanswered Question | Charles Ives, Leonard Bernstein, New York Philharmonic | A♭ Major | 2 | 4B | 105 BPM | ||
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Boris Giltburg, Rhys Owens, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Major | 0 | 8B | 72 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | F♯ Major | 0 | 2B | 46 BPM | ||
Lulu, Act III Scene 1: Gentleman and Ladies! (Alwa, Lulu, Countess Geschwitz, Acrobat, Banker, Journalist, Marquis, Waiter, Servant, Designer, Mother, 15-year-old Girl) | Alban Berg, Paul Daniel, English National Opera Orchestra, John Graham-Hall, Lisa Saffer, Robert Poulton, Susan Parry, Graeme Danby, Toby Stafford-Allen | F Major | 0 | 7B | 44 BPM | ||
4 Lieder, Op. 2: No. 1, Erwartung | Arnold Schoenberg, Claire Booth, Christopher Glynn | D Major | 0 | 10B | 66 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Introduction | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 69 BPM | ||
Agon: Double Pas de quatre | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E Minor | 0 | 9A | 63 BPM | ||
The Cunning Little Vixen (Prihody Lisky Bystrousky): Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | D♭ Minor | 1 | 12A | 99 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM |