George Gershwin, P. G. Wodehouse, Oh, Kay! Orchestra (1955), Cy Walter, Bernard Leighton, Lehman Engel's ' "Oh Kay!: Overture" was released on its scheduled release date, 1926. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Oh, Kay! (Studio Cast Recording (1955))". In this album, this song's track order is #1. Based on our statistics, Oh Kay!: Overture's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Oh Kay!: Overture by George Gershwin, P. G. Wodehouse, Oh, Kay! Orchestra (1955), Cy Walter, Bernard Leighton, Lehman Engel having a テンポ of 138 with a half-time of 69 テンポ and a double-time of 276 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in E Minor, Op. 28, No. 4 | Frédéric Chopin, Arthur Rubinstein | A Minor | 0 | 8A | 110 BPM | ||
Promenade: Walking the Dog | George Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic | C Major | 0 | 8B | 121 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Rosalie: How Long Has This Been Going On? | Peter Breiner, Juray Bartos, George Gershwin | C Major | 1 | 8B | 63 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Vocalise, Op. 34, No. 14 (Arranged for Violin & Orchestra) | Sergei Rachmaninoff, Joshua Bell, Michael Stern, Orchestra of St. Luke's | E Minor | 2 | 9A | 100 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM |