"Variations on a Theme by Haydn: Variation VIII: Andante cantabile" by Hans Erich Apostel, The Orchestra Now, Leon Botstein was released on May 10, 2024. The duration of Variations on a Theme by Haydn: Variation VIII: Andante cantabile is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Variations on a Theme by Haydn: Variation VIII: Andante cantabile's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hans Erich Apostel: Variations on a Theme by Haydn: Variation VIII: Andante cantabile and no other songs are present in the album, we classify this track as a single. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Theme by Haydn: Variation VIII: Andante cantabile is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Theme by Haydn: Variation VIII: Andante cantabile by Hans Erich Apostel, The Orchestra Now, Leon Botstein to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quartet: I. Notturno. Adagio | Krzysztof Penderecki, Kilian Herold, Florian Donderer, Barbara Buntrock, Tanja Tetzlaff | G Minor | 0 | 6A | 76 BPM | ||
Sinfonia dos orixás: II. Manifestação dos orixás: No. 3, Oxalá I: O canto da luz | Almeida Prado, Orquestra Sinfônica Do Estado De São Paulo, Neil Thomson | G Minor | 0 | 6A | 76 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: II. First Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Variations on a Theme by Haydn: Variation V: Adagio | Hans Erich Apostel, The Orchestra Now, Leon Botstein | F♯ Major | 0 | 2B | 71 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Concerto for Flute and Orchestra: II. Andante | Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | D♭ Major | 0 | 3B | 67 BPM | ||
Copland: Suite from Appalachian Spring: V. Solo Dance of the Bride. Allegro (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Ethereal Keys | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM |