Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Fuensanta Solá, Manuel Ausensi, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica's 'Luisa Fernanda: Dúo: En mi tierra extremeña - Remastered' came out on May 15, 2006. With this song being about 5 minutes long, at 4:33, "Luisa Fernanda: Dúo: En mi tierra extremeña - Remastered" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Fuensanta Solá, Manuel Ausensi, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Various Artists, Ataúlfo Argenta, Gran Orquesta Sinfonica's "La Zarzuela: Luisa Fernanda" album is number 4 out of 14. Luisa Fernanda: Dúo: En mi tierra extremeña - Remastered is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luisa Fernanda: Dúo: En mi tierra extremeña - Remastered by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Fuensanta Solá, Manuel Ausensi, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K. 527, Act I: Madamina, il catalogo è questo - Remastered 2024 | Wolfgang Amadeus Mozart, Paul Schöffler, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 96 BPM | ||
Gigantes y Cabezudos: "Coro de repatriados" | Orfeon Donostiarra, Carlos Munguia | G Major | 3 | 9B | 99 BPM | ||
Une fée a passé - Extrait de "Valse de Vienne" | Johann Strauss II, Marcel Merkès, Paulette Merval, Caravelli | G Major | 5 | 9B | 129 BPM | ||
Que la lea prima Rosa | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | F Major | 1 | 7B | 100 BPM | ||
Sevillanas de Baile | Orquesta Odeón | F Major | 5 | 7B | 91 BPM | ||
Estando estás | Federico Romero | D Major | 1 | 10B | 130 BPM | ||
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Die lustige Witwe, Act III: Finale. "Jetzt gehn wir zu Maxim" (Ensemble, Chor) | Franz Lehár, Hamburger Rundfunkorchester, Wilhelm Stephan, Joseph Olah, Anneliese Rothenberger, Rudolf Schock, Elfride Trötschel, Alfred Pfeifle, Otto Albrecht, Fritz Göllnitz, Jacques Offenbach, Reinhold Luttjohann, Jo Wegener, Hamburger Rundfunkchor | D Major | 6 | 10B | 81 BPM | ||
Mefistofele, Act III: L'altra notte in fondo al mare | Arrigo Boito, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D Major | 0 | 10B | 78 BPM |