"Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Uf dem anger: Tanz" by Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert Huber was released on October 4, 2011. With Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Uf dem anger: Tanz being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Uf dem anger: Tanz is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Uf dem anger: Tanz by Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert Huber having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Carmina Burana / Uf dem Anger: "Reie" - "Swaz hie gat umbe" - "Chume, chum geselle min" - Live from the Forbidden City | Carl Orff, Wiener Singakademie, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | C Major | 0 | 8B | 128 BPM | ||
Brahms Symphony No. 3 - 3rd Movement | John Keating/London Symphony Orchestra | C Minor | 1 | 5A | 116 BPM | ||
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM | ||
Gayane Suite No. 2: VI. Sabre Dance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | E♭ Major | 8 | 5B | 91 BPM | ||
Egmont Overture, Op. 84 - Remastered | Ludwig van Beethoven, George Szell, Cleveland Orchestra | F Minor | 1 | 4A | 83 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): IX. In taberna quando sumus (When we are in the tavern) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | A Major | 2 | 11B | 143 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM |