"3 Nocturnes: No. 2. Star Sonnet" by Daniel Elder, Westminster Choir, John Hudson, Joe Miller was released on October 29, 2013. With this song being about 5 minutes long, at 4:52, "3 Nocturnes: No. 2. Star Sonnet" by Daniel Elder, Westminster Choir, John Hudson, Joe Miller is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Heart's Reflection (Music of Daniel Elder)". In this album, this song's track order is #8. 3 Nocturnes: No. 2. Star Sonnet is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Nocturnes: No. 2. Star Sonnet by Daniel Elder, Westminster Choir, John Hudson, Joe Miller having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
How Much I Owe | John Hudson, Choirs of First Presbyterian Church, Chancel Choir of First Presbyterian Church, Daniel Cole, Thomas Russell | E♭ Major | 0 | 5B | 76 BPM | ||
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
Behold, O God, Our Great Defender | Herbert Howells, The Choir Of Westminster Abbey, Iain Simcock, Martin Neary, Martin Baker, London Brass | A Major | 1 | 11B | 87 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Magnificat in F Major (1) | George Dyson, Hereford Cathedral Choir, Huw Williams, Roy Massey | G Major | 2 | 9B | 169 BPM | ||
Symphony No.2 In C Minor - "Resurrection" / 5: Im Tempo des Scherzo: Mit Aufschwung, aber nicht eilen - "O Schmerz, du Alldurchdringer" - Live | Gustav Mahler, Barbara Hendricks, Christa Ludwig, New York Philharmonic, Leonard Bernstein, Westminster Choir, Joseph Flummerfelt | E♭ Major | 4 | 5B | 90 BPM | ||
Truth | Andrea Ramsey, Mirabai, Sandra Snow | A Minor | 1 | 8A | 105 BPM |