Christiane Jaccottet made "Galliard the Earle of Essex (Can She Excuse)" available on February 1, 2016. The duration of Galliard the Earle of Essex (Can She Excuse) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Galliard the Earle of Essex (Can She Excuse)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Songs and Dances of John Dowland". In this album, this song's track order is #5. In terms of popularity, Galliard the Earle of Essex (Can She Excuse) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Galliard the Earle of Essex (Can She Excuse) by Christiane Jaccottet having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin, Oboe, Bassoon and Basso Continuo No. 3 in B flat, ZWV 181: 1. Adagio | Jan Dismas Zelenka, Heinz Holliger, Thomas Zehetmair, Klaus Thunemann, Klaus Stoll, Jonathan Rubin, Christiane Jaccottet | G Minor | 3 | 6A | 103 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: III. Adagio | Georg Philipp Telemann, Boris Begelman | E♭ Minor | 1 | 2A | 49 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.24 in B minor BWV893 | Daniel Barenboim | A Minor | 0 | 8A | 129 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto in G Minor, No. 2, RV 104, La notte: I. Largo - Fantasmi - Presto | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | F♯ Minor | 2 | 11A | 146 BPM | ||
Badinerie (Orchestral Suite No. 2 in B Minor, BWV1067) | Craig Ogden, Gareth Davies | B Minor | 3 | 10A | 123 BPM | ||
The Well-Tempered Clavier, B.1: Prelude & Fugue No.22 in B-flat minor, BWV 867 | Christiane Jaccottet | A Minor | 3 | 8A | 144 BPM | ||
Concerto, D-Major, For Strings And Organ, RV 124: III. Allegro | Musici di San Marco, Alberto Lizzio | D♭ Major | 2 | 3B | 118 BPM | ||
Nouveau Concert No.8 in G major ("Dans le goût Théatral"): 2. Grande Ritournéle (Gravement) | François Couperin, Aurèle Nicolet, Christiane Nicolet, Heinz Holliger, Marie-Lise Schüpbach, Thomas Brandis, Chiara Banchini, Josef Ulsamer, Manfred Sax, Christiane Jaccottet | A Minor | 1 | 8A | 131 BPM |