"Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem" by Ivo Janssen was released on November 28, 2010. The duration of Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem is about 3 minutes long, at 3:03. Based on our data, "Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ivo Janssen's "J.S. Bach Die Kunst der Fuge" album is number 7 out of 20. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Kunst der Fuge BWV 1080/7; Contrapunctus VII a 4 per Augmantationem et Diminutionem by Ivo Janssen to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 2 C Minor, Bwv 826: Sinfonia | Valentina Lisitsa | D Minor | 1 | 7A | 75 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
60 Études for Piano: No. 3 in A Minor | Johann Baptist Cramer, Giorgio Farina | A Minor | 2 | 8A | 68 BPM | ||
Fantasie a-Moll BWV 904 | Inge Rosar, Johann Sebastian Bach | D♭ Major | 1 | 3B | 146 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 4 in E Minor, Allegro commodo | Bedřich Smetana, Jitka Čechová | E Minor | 1 | 9A | 141 BPM | ||
Vivace (1st movement from Fantasia in G minor, TWV 33:8) | Georg Philipp Telemann, Charles Owen | G Minor | 1 | 6A | 100 BPM | ||
Pièces de Clavecin, Livre I: XIII. La Genty | Claude Balbastre, Christophe Rousset | A♭ Major | 5 | 4B | 84 BPM | ||
Keyboard Sonata in G Major, Kk. 210 | Domenico Scarlatti, Alon Goldstein | G Major | 0 | 9B | 117 BPM | ||
Prélude, cadence et finale | Alfred Desenclos, Ivo Janssen, Arno Bornkamp | E♭ Minor | 1 | 2A | 85 BPM | ||
Sonata No. 88, in D-Flat Major | Antonio Soler, Irene Cantos | G Major | 3 | 9B | 43 BPM |