Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - - Gustav Mahler, Boston Symphony Orchestra, Seiji Ozawa 情報

音響性: 90%
ダンサビリティ: 17%
エネルギー: 17%
手段性: 89%
活気: 10%
ラウドネス: 69%
話し言葉: 4%
価数: 5%
人気: 1%
ラウドネス: -18.382 dB

まとめ

"Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -" by Gustav Mahler, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1987. Since Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Kiri Te Kanawa, Marilyn Horne, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa's "Mahler: Symphony No.2 "Resurrection"" album is number 4 out of 9. On top of that, Netherlands appears to be the country where this track was created. Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - テンポ

We consider the tempo marking of Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - by Gustav Mahler, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - キー

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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Track	Artist	Key	Energy	Camelot	BPM
Scènes bohémiennes la jolie fille de perth: Danse bohémienne	Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot	B Minor	1	10A	81 BPM
Symphony No. 3 in D Minor: Part 1, I. Tempo Primo	Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic	F Major	1	7B	122 BPM
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	E Major	1	12B	79 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
Symphony No.1 in E Major, Op. 26: I. Lento	Alexander Scriabin, London Symphony Orchestra, Valery Gergiev	E♭ Major	2	5B	139 BPM
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	E Minor	1	9A	96 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino	Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski	E Major	1	12B	95 BPM
Morgen, Op. 27 No. 4 (Arr. Reger for Piano)	Richard Strauss, Angela Hewitt	A Major	2	11B	143 BPM
Piano Concerto No.1 in F Sharp Minor, Op.1: 2. Andante	Sergei Rachmaninoff, Vladimir Ashkenazy, Concertgebouworkest, Bernard Haitink	A Major	0	11B	69 BPM
La boîte à joujoux, L. 128: III. La bergerie à vendre	Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas	F Minor	0	4A	72 BPM

ISRC: NLA508644606
レコードレーベル: L-M Records/RCA Records