"Fidelio, Op. 72, Act II: No. 16, Finale" by Ludwig van Beethoven, Kyosti Haatanen, Aki Alamikkotervo, Bengt Rundgren, Heikki Kilpelainen, Jorma Falck, Jorma Hynninen, Jorma Silvasti, Martti Talvela, Peter Lindroos, Ritva Auvinen, Satu Vihavainen, Tom Krause, Usko Viitanen, The Savonlinna Opera Festival Orchestra, The Savonlinna Opera Festival Choir was released on October 9, 2021. Fidelio, Op. 72, Act II: No. 16, Finale appears to be safe for all ages as it is not explicit. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Fidelio, Op. 72, Act II: No. 16, Finale" is a single. Fidelio, Op. 72, Act II: No. 16, Finale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio, Op. 72, Act II: No. 16, Finale by Ludwig van Beethoven, Kyosti Haatanen, Aki Alamikkotervo, Bengt Rundgren, Heikki Kilpelainen, Jorma Falck, Jorma Hynninen, Jorma Silvasti, Martti Talvela, Peter Lindroos, Ritva Auvinen, Satu Vihavainen, Tom Krause, Usko Viitanen, The Savonlinna Opera Festival Orchestra, The Savonlinna Opera Festival Choir is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM |